A Selection of Jorge's Tattoos

I met Jorge last week at the top of the escalators leading from Penn Station to 7th Avenue.

He has quite a few, and I took photos of the front and back of his left forearm.

The inner part of his arm has this koi design:


A friend of his did this for him, which he got for luck before going overseas with the U.S. Army to Iraq in 2008. He proudly served with the Third Brigade Combat Team, 101st Airborne Division, 187th Infantry Regiment, also known as The Rakkasans.

Jorge loves what he calls his "good luck koi fish" and says "We deployed for 15 months....every time I was tired for walking for 2 or 3 days nonstop, I would look at my tattoo and smile and keep walking...".

After returning, he got this tattoo in Nashville:


This piece was just a very cool design.

Bridging these two very different tattoos are two cherry blossoms:


Jorge wanted to make sure they didn't get omitted from the post, as these flowers represent his mother and sister.

That would have been it for this post from Jorge, except the day after meeting him, he sent me this shot of a tattoo on the upper left side of his back:

He hadn't mentioned this when I met him, so I was pleased to include it in the post.

Jorge got this piece at Coyote's Tattoo in Lima, Peru.

He says this is a tribute to his mother and his Peruvian heritage. It is based on a pure gold artifact found next to a mummy in Peru which he saw on display in the American Museum of Natural History.

Thanks again to Jorge for sharing so many of his tattoos with us here on Tattoosday!

Juan's Sleeve, Traditional Elements, Inked in the Bronx

A burst of pleasantly warm weather this week signified the end of a quiet winter.

Posts have been scarce indeed, but I see busier times ahead.

Wednesday afforded me my first "Tat* Trick" of 2010. That term, for those unfamiliar, is reserved for a day when I meet and photograph at least three tattoo hosts. Even rarer is the "Lunch Tat Trick," which involves me getting photos from three people (or more) in the course of an hour, on my lunch break.

So I am grateful for the following contributor, and the two three other nice people from the 10th of March.

I spotted Juan in Penn Station and he offered up this half-sleeve-in-progress, which includes a skull element and a panther :


Inked by Freddie Arroyo at Cool Hand Tattoo in the Bronx, this tattoo features his ideas and the artist's interpretation of the suggested design elements. The mask at the bottom of the design is one element I find exceptionally interesting, as it deviates slightly from what a traditional demon mask looks like, and takes on a slightly more original appearance which more likely reflects the style of the artist:


The work as photographed represents two sittings. Not seen in the shot above, but quite impressive, is the work and color of this flower, which is on the inside of the biceps, extending into the ditch:


Thanks to Juan for sharing this tattoo with us here on Tattoosday!

* Ed. Note:Tattoo purists often raise an eyebrow at the term "tat" to denote a tattoo. I generally employee it when I am attempting a clever play on words. Sometimes, I fail.

Mike's Tribute to His Thai Heritage

There are generally two kinds of Tattoosday subjects (and by subjects I mean people):

Those that let me take a picture or two and I never hear from them again, and those that send me nice messages and a correspondence more or less develops.

Last weekend I met a guy named Mike at the laundromat (which is turning out to be quite a lucky locale for inkspotting) and he falls in the latter category.

Not only was Mike friendly and interested in the site when I met him, but he has followed up our initial conversation with e-mails that have helped me create a much more thorough and well-rounded post than many readers may be used to.

Mike's tattoo is a tribute to his heritage. His father is from Thailand, so he considers himself "50% Thai". Check this out:


This piece does wrap around the left bicep, and on either side of the elephantine temple, there are "singha" lions:






















The idea for this tattoo started with a concept and evolved into the finished work in flesh above.

Mike started with the basic images, found online in the form of the elephant and lion masks, and the photo of a Thai temple:


He notes that he wanted to use the Tribal elephant mask "because the Elephant is a national symbol of Thailand, they [were] used ... in wars and ... represent strength. I chose the Tribal 'wood' look mainly because it looks great and I thought it represented the 'old/history' of Thailand." He added that he finds Thai temples "amazingly beautiful" and that the two Singha lions on either side of the temple in the design "represent protection, and they usually are at the entrance ways of many Thai buildings".

He then tinkered with these images in Photoshop and came up with this rudimentary design:

He took this artwork to Regino Gonzalez at Invisible NYC. Mike explains, "I showed him my idea and he actually kinda chuckled a bit. I told him I realized [that] this was a real shitty representation of what I want and that I hoped that he could do ANYTHING with it."

Mike continues, "...And then literally three days later, he called me into the shop and when I walked in, he had this HUGE AMAZING piece of art...I just turned to him and said, 'Let's do it' [and] I ... sat down right then and there for four hours and had the outline done ... I ... went back about three weeks later and had the black color and shading done, and then about three more weeks later I had the final color done."

What Mike explains is typical of great tattoo work. So many novices to tattooing are surprised that a nice piece takes a while, unlike it does on the reality tattoo shows, when an eight-hour piece often is edited down to a few minutes of air time. It's also the recommended way to get a great tattoo: bring in the framework of an idea and let the artist go to town.

And, if you have a good artist (which you should have, if you've done you're homework), you should put your absolute faith and trust in them. Case in point, Mike recalls "I asked Regino how he was going to color it and I was pretty nervous ... he looked at me and pointed to his head and said 'Trust me, I have a plan'. And that was it ... I walked away with what I think is an amazing piece of work ... I have since recommended Regino to anyone who asks my opinion, and I will continue to [do so] ....".

Incidentally, work from Regino has appeared previously on this site here.

Thanks to Mike for sharing his incredible work with us here on Tattoosday!